In Rebecca, by Daphne Du Maurier, the narrators learning of ego changes everywhere the strain of the dally novel. This can be observed by scrutinizing her perception of self at the beginning of the novel, soon after she arrives at Manderly, the far-famed mansion where her new husband, Maxim DeWinter, lives, and after she hears Maxims manifestation: he killed his beginning(a) wife, Rebecca, because he thought she would have a release who would not be his, yet still be the heir of Manderly. Initially, the narrator sees herself as very inferior to the upper radiation pattern society of whom she mingles as a companion to Mrs. Van Hopper. I know he (Maxim) did not want to eat lunch with me. It was his for of courtesy. She also perceives herself as a child, someone much in like manner young to understand what to do in certain concomitants. She shows that she is a rather naive young madam ...I felt the comment flood into my face. I was too young, that was the trouble. Had I been older I would have caught his eye and smiled... but as it was I was afflicted into shame, and endured one of the frequent agonies of youth. She is tormented by her youth and inadequacy of confidence within herself It was a situation for which I was ill-trained. I wished I was older, different. Her lack of confidence in herself shows greatly when she first arrives at Manderly, too. At Manderly, she unceasingly frets over what everyone thinks of her, especially the house take into custody servants and Mrs. Danvers, the head of the staff, whom she thinks is constantly comparing her to Rebecca, and as result, compares herself to Rebecca as well. ...I realise, everyday, that things I lack, confidence, grace, beauty, intelligence, wit... she [Rebecca] possessed. The... If you want to put down a full essay, order it on our website: OrderCustomPaper.com
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