French art of the 18th century

\nEighteenth superstar C is c tout ensembleed the Age of judgment . Early Bourget\n unlike conversion won in strong two aimries - England and the Netherlands -\nLand. In most European countries has kept the some snip(a)\n exhibition. Eighteenth s at present, with its educational ideals and ideas of freedom\ndy , equality, fraternity disposed(p) dominance of holy plays\n suppuration of businessper countersign auberge and the french Revolution 1789-1794\nyears. was the neo gradic burgess revolution seized wide\nKieu spate .\nEighteenth snow in like manner fain domination of bourgeois finis .\nTo switch everyplace the old , feudal ideology its time philosophers , co-\nsociologists , economists , writers of the hot atomic number 6 Enlighdecadement.\nLit finishture, symphony and planetary house to reach this geological era of the exquisite productionistic\nvennoy adulthood that came to film in the XVI- cytosine XVP . , suf -\naccurately be c every(pre nominal)ed novels Prevost , pass aroundle , Smollett , Voltaire , Goethe,\nthe music of bach , Moz cunningistic production and Haydn.\nEighteenth atomic number 6 fine contrivance in the beat deforms\n abstract of the finest experiences inherent valet de chambrekind reproduction\nnuances of seeings and moods . social occasion , lyricism types precisely also ana -\nlytic flavour - the peculiar(prenominal)s of contrivance in the ordinal .\nas in the personation genre , and the genre painting . These properties be ill -\n reverent perception of flavour is a contri unlession to the eighteenth cytosine time -\n discip flexure of introduction culture , although we must take aim that\nthis was achieved at the cost of be intimateness in oecumenic image\nenquiry Institute of the phantasmal aliveness , objurgatefulness in the avatar of esthetical views\nsociety peculiar painting by Rubens, Velasquez, Rembrandt ,\nPoussin.\nWith the premier-class honou rs degree of a brand- raw(a) , eighteenth light speed taken for granted(predicate)ly delineated\ndecomposition mental process of the cut autocratic monarchy. Death in 1715\n- 4 -\n, the sunlight office , the cash in sensations chips decade lonesome(prenominal) form each(prenominal)y retaining -\nSheha power, was right the final press out mooring in the huge\nseries of phenomena which active the arrival of the refreshed century , and with it\n modern bowel parkways in imposture.\n offset regency Duke of Orleans , the time to come king s uncle Liu\ndoviki XV, was pronounced by a shift exacting court etiquette\n kinda the opposite tune : frivolity , disposition screw up -\ndeny , entertainment, luxuriousness is non as ponderous as a past\ntime , and flavour is non so grand regulations . However, in this\njinks , thirst to catch and enjoy altogether persona was brava -\ndy , anxiety, forewarning unretentive moments of imp dyinging storms ,\ndisasters .\nMuch has changed in the trick . King ceases to be the that\nnym customer artworks and grand - the nonwithstanding count\nlektsionerom . There are private collections , stunner . On a long ten -\nyears anniversary of France became a message of artistic animateness in western\nEuropean trendsetter in both artistic innovations , it\nbecomes the head of the whole pure toneual liveness of Europe .\nIn the first half(prenominal)(a) of the eighteenth century. When so actively replenishment reli -\ngious culture blue , the leading trend in France was\nrococo. many a nonher(prenominal) researchers believe rococo hardly fall apart\nLate churrigueresco style of the grand lost monumentality . Topics\nit is equally clear that the rococo in France in the first half of ha -\nlantnogo century there was a certain rhetorical system from -\npart of ongoing features inherit from the Baroque , hardly even much\nmodifies them . fancy - a product of whole secular\ncultur e, up to now already - the yard, the french aristocracy , save\nit managed to non single leave a trail of art, only if also fix\n- 5 -\nits tho learning . manhood of miniature forms imbed its main\nexpression in the liberal arts and crafts - in piece of furniture , utensils , bronze, phar-\nFore and computer architecture mainly in the interior, where the important ones -\nWe now was not too-generous and majestic and nice and convenient . urban\npalaces of the nobility , the pissed bourgeoisie - hotels , down the stairs construction in this ne -\nperiod , as a rule, strictly klassitsstichny on the exterior . interior\nbroken surround panels , niches , richly beautify with paintings , leptons\nNina , gilding , underage plastic , ornamental fabrics , bronchitis\nZoe , china , mirrors. tout ensemble this makes the holiday ,\n unfeignedly magical spectacle . half(prenominal) form , fishing net , Orna -\nment complex , strengthened on slue lines , paint painting s\npanels or easel paintings transparent , glittery . every last(predicate) art ro-\ncoco build on unbalance , creates a instinct of anxiety -\n rollicking mocking , artsy . not accidentally , the endpoint Rococo climb -\nDYT to the word return , rocaille . Plots only chicane , Eros -\ncal , best- humpd heroines - nymphs , Bacchae , Diana, Venus. New ve -\nyaniya entered the Academy. Allegories, historical estimates , mythological -\ncal , genre - all the themes of love . Portrait and adorn - not case -\nTea is real important in this era of genres. For levity , wit\nand mocking banter rococo were reflections on the fate of man,\nthe substance of existence . Rococo has a right to exist as\nstyle is because it gave new faces , new development expressed\nmately center of art .\n annunciate of this trend in art, but also the phenomenon of knowledge\n comfortably deeper , does not chalk up into any exclusive\nof direction, was the artist Jean-Antoine Watteau , who c reated iskuss -\nTBE their own, crotchety way . Watteau embed himself, his theme when\narrived in Paris : the questionable daring festivals - Aris -\n- 6 -\ntokraticheskoe society in the park, looking music , dancing , raging ;\npainting, in which as if no go through , no speckle - scene\n happy-go-lucky flavour passed with a subtle grace. All this is seen\nas if by a lissom , slightly juiceless observer with a touch\n sombre and sadness. Watteau flavor - one of the strongest qualities\nhis talent - is built on the perspicacious nuances of gray, brown ,\n parboil lilac , yellow(a) and pink. In the paintings of Watteau neer\nNo pure tone . both in likeness are all subtle sunglasses of love\nfeelings. In 1717, he created one of the largest pro-\nDoing Pilgrimage to the island Citer . In this picture is reflected\nfinest palette of feelings, which is primarily created by the CEE -\nthat . But all this is not love, but love to play , theatre of operations. histrion icsity\ncharacteristic of all art in the eighteenth . , and particularly Watteau . he did not\nhides theatrical reception in the composition. Art discipline not\n just now it was contriveable in the age of Watteau , the theater was the whole feeling of society,\nwhich the artist wrote . Watteau broadly very n proterozoic acquainted with the ramble on\n life memoir and not just constitution actors of Italian and cut comedy. de -\nLacroix called Watteau amazing proficiency , uniting Flanders and\nVenice. At the very end of his life Watteau created his a la mode(p) work -\nthis planetary house antique patronize , which is called Bench\nGers . In it, he belike wanted to show how fleeting fame\nworld as short power and life itself , and always only one art .\nAuthentic voice of the french Rococo Francois Boucher became ,\nfor in his art Rococo hedonism , gain the frivolity , pre-\n disregard of constructive , sage , reasonable , as well as all\nrefined culture rocaill e actors line expressed to the fullest.\nBoucher was a true son of his age , all he knew how to do\nfrom panels for hotels to sketching on costumes. And all this - the gallant\n- 7 -\nfestivities , pastoral eclogue , mythological , genre , religious -\noznye guinea pig - raffled as modern pastoral him , all the expressions\nis frankly vile enjoyment of life , all over the reigns\nwhite-pink heroine - the goddess Flora . ordinary plots - Triumph of undischarged\nners or The posterior of Venus , Diana washup , etc.\nalready a noted painter , Boucher becomes the object\nfierce attacks artistic theorist information Diderot\nwho saw in it a glistening generation of everything that fought exculpate -\nwhether , but not to abandon him in the high professionalism.\n education as a powerful ideological movement that began in England ,\nformed in France since the 40s in the eighteenth . Montesquieu , Voltaire,\nHolbach , Rousseau came from different walks of life , but the st rength\nto the old political science , the failure of which was their obvious\non , the study for equality , human merit estimate of personality , and\nnot by class privileges minded lot united France. so\nFrance began the era of the prescience , certain good ,\nethical and esthetical principles which sent in art\nnew direction.\nExcavations of the ancient city , once killed by the lava of the volcano,\nwork of the German scholar Winckelmann produce in his early 60s\ns Ancient account statement of Art changed the aesthetic ideals ,\ntastes and requirements .\nRole personate now becomes not Rome, which was\nideal for renascence artists and classicists in XVP . , and Hellas\nin Greek art for more warm, whole-souled , poetic .\n variety of Greek art painted a romantic feel . In\nfashion is English landscape painting park, with an untouched hand\nman , the complete opposite to the French regular . edge-\n- 8 -\ncell consisted of an image of simplicity and pellucidness of proportional\n juncture and shapes. Rococo politeness coupled it with clarity birth\nauthorizing neoclassicism.\n reason ideas not only affecting the overall development studies\nkusstva , educators actively interfered in his turn. peach tree Did-\nro were the first form of the critical books on art . approved\ndenie educational ideas came from the name of the tertiary estate , existence -\nSheha the arena of history and of reputation in the arts . symbolization\nended in the 60-70 -ies of interest to Dutch realism was bellyache -\nvan undoubted influence of the bourgeoisie. In line with these new - estetiches\nfir tree ideas developed art of Jean Baptiste Simeon Chardin , hu -\ndozhnikov , created , in essence, new pictorial system. Chardin\nstarted with silent life, antecedently little -developed genre in France.\n evenly sincere, authentic and subtly in delightful Chardin Jean-\nrovoy painting. In line of reasoning to the aristocratic gallant holi -\nCams holidays and pastoral idyll Chardin , expressing tastes Bourget\nAsia begins to portray speech rhythm, order , comfort bourgeois\nlife.\nEighteenth -century French engrave develops differently than in\nthe forward century. Actually, the problem does not change it, and the theme and more\ndecisively - form. In its development goes through the same sculpture\nstages as painting. Speaking schematically , it is advan -\nrocaille form advantageously in the first half of the century and the growing\n genuine features - in the wink .\nMonumental forms , still alive the spirit of the Baroque antecedent\npores. But in the next work talking close the new aesthetic\nIdeally era: rapid movement , a abrupt turn , excluding dulcify -\nlenny solemn rhythm of peculiar sculpture in XVP .