A Response Paper On Christopher Steiner’s

Christopher Steiners stratagemicle entitled Authenticity, Repetition, and the esthetics of Seriality talks about the automatic re output signal of artistryistic production at the spinning top of technological improvement and technical production nowadays.He discusses Walter Benjamins act entitled The Work of cunning in the Age of Mechanical echo in the issue that first, mechanical reproduction is not just a invigorated form of technical production precisely engenders an entirely new philosophy of production in which the work of art is emancipated (Steiner 88) and second, that the mechanical reproduction and consumption of art makes the object more accessible to wider people (88).His argument, therefore, is that to justify the authenticity of tourist art one must gravel from an entirely different starting point (89), since tourist art should be viewed as a culturally valid, authentic art. He argues that mass-produced art carries an authenticity, which it shares with other mass-produced objects in the industry.What I argue, however, is that mechanical reproduction of art does not carry anymore the authenticity and validity of what a straightforward art should bethat it should be an normal of views, beliefs, and culture of an individual or a number of individuals. Objects that undergo mass production are ingestly reproductions of the original item. The true art is in its originality.This means that, although the reproduced object is an comminuted image of the original object, it is merely a mimic and is not an expression of the self. When it comes to being culturally valid, however, I agree that objects that undergo mass production are, indeed, culturally valid, since it reveals a certain aspect of culture that, though reproduced once again and again, still holds the originality and the individuality that the culture and the people reflect.Art is like what a humankind being is it is a reflection of culture and society, yet it cannot be an exact replication of the otherfor there is none like it. Mass-produced objects of art contain authenticity and validity in terms of culture art, but not as an individual art.Works CitedSteiner, Christopher. Authenticity, Repetition, and the Aesthetics of Seriality The Work of Tourist Art in the Age of Mechanical Reproduction. name of book. Ed. name of editor. Place publisher, year. 87-103.