Little Women and Treasure Island: Fatherhood Essay

When discussing catchhood in relation to two un employs, we converge that in both, the bring is either primarily absorbed or immaterial to the plot. The element of set outhood comes from the characters designed to replace or substitute the absent or lost fathers. valuate Island regards two figures available for Jim to form a p arental consanguinity, and the moralistic juxta short letter they present has as much to do with Jim evolveing into a moral man, as it does him choosing a path to survival. In Little Women fatherhood is rendered by some(prenominal) different views of masculinity including Jos attempt to fill her absent fathers shoes. The differences and similarities amid the two books determine what the fictional character of the father figure was at the while of publication and whether the concept of fatherhood was relatively important to the smarts in question.Alcott wrote her novel at the request of her publisher and for a particular market, this to a l arge(p) extent is responsible for her interpretation of the male and female characters and the nineteenth speed of light attitudes towards femininity and masculinity. In producing a book aimed specifically at small fryren and more than than specifically girls, Alcott was under pressure to produce a familial mental picture that would sell. In part two of Little Women any of the feministic qualities which Jo exhibited have been neglectful to correct to popularity, she altered her values in deference to the opinions of others (Fetterley, 2009. p.30) again in keeping with the attitudes of the public Alcotts girls grew agreeable to the men around them and larn to put a man in the centre of her picture. (Fetterley, 2009. p.21) For Jo this is instead of, world the man in the picture. She binds them to men who represent a father towards them both in experience and age. Each marchland girl except Beth marries a man who is above her aver level of intellect and older, as Fetterly put s it they must(prenominal) marry their fathers, not their brothers or sons.Thus Laurie gets Amy, who is a fitting kidskin for him, and Jo gets her Papa Bhaer( Fetterley, 2009 p. 29) the term Fetterly uses to describe professor Bhaer, is in fact the character reference he is expected to fulfil, as each girl chooses her husband they argon as such beingness handed over by cardinal father figure to another. The role of the father is closely looked at undermentioned Megs marriage to John Brooke, a struggling Meg confides in her stupefy that she is finding her situation difficult, she is preached to by her mother the model poor fair sex (Fetterley, 2009 p.20) referred to as my docile daughter (Alcott, 1998 p.377) and encouraged not to forget her concern to her husband, and to a fault to place the harder elements of motherhood into her husbands hands. Alcott conforms to the opinion that womens work is not real work (Fetterley, 2009 p.23) and therefore the children throve under t he paternal rule, for accurate steadfast John brought order and obedience into babydom.(Alcott, 1998 p.383) this implies the role of the father is just as important as the mothers if not more so by hinting that mothers need guidance from their husbands in order to bring up their children, looking to their male wisdom as they would do their feature fathers.This mental picture of masculinity in addition helps us to understand Jos reluctance to conform to the general consensus of what a little woman should be. She sees herself as man of the family (Alcott, 1998 p.9) and adopts original masculine traits to position herself at heart the fatherly role during her fathers absence. Jo adopts these traits with determination to be seen as masculine hence her proneness to go to war I cant get over my disap peakment in not being a boy, and its worse then ever now, for Im dying to go to and fight with papa (Alcott, 1998 p.7) and to be judged an spry and breadwinning individual.Jo in this way shows us the desired qualities a father should suffer and by portraying her absent father in a proactive way, that he is an accurate representative of the masculinity and moral conduct determine by alliance at this period. Alcotts decision to produce the catastrophe to Little Women greatly establishes the role fatherhood plays in her report card, whilst Mr March is away, Jo is fulfilling her stimulate prophecy of being the man of the family(Alcott, 1998 p.9) and upon his return is free to live her keep as a little woman, the significance of Beths closing means Jos desire to be a man is also over, and she strives to imitate her departed sister by neglecting the proactive and masculine constitution she assumed in order to cope with being head of a household.In contrast to Alcotts desire to be successful financially, Stevensons own efforts concerning Treasure Island were of a more innovative intent, to create a novel which not but featured a romantic story but served mere ly to entertain and inspire without an element of educating. Stevenson aspires to a more unconventional style of appealing to young boys, without moral preaching or the inclusion body of religious implication which Alcott endeavours to do with her inclusion of Bunyans Pilgrims elevate and her references to God, the most fatherly figure of all. If you learn to feel the strength and philia of your Heavenly Father as you do that of your earthly one. The more you be intimate and trust Him, the nearer you will feel to Him (Alcott, 1998 p.80)The fatherly characters are produced by two authors who had interesting relationships with their own fathers and who subsequently introduce their own opinions to the role of a father figure during this period. Mr March is portrayed as being central to the families success despite him being absent for the majority of the plot, to outsiders, the louvre energetic women seemed to rule the house, and so they did in many things but the legato man sitt ing among his books was still head of the family.(Alcott, 1998 p.229)She goes on to say of Mr March that in troublesome times the girls always turned to him, finding him, in the truest sense of those sacred spoken communication, husband and father. (Alcott, 1998 p.230) This lengthy eulogy Alcott lavishes upon Mr March (Alcott, 1998 p. 229-230) could be seen as a focalisation from the March daughters point of view, however it is more kindredly Alcotts own father is the center here, given the books highly autobiographical status. It has also been said that done Alcotts portrayal she manages to draw a veil over her brilliant fathers many incompetencies (Watson, 2009 p.14)Stevensons complex (Hunt, P (in) Stevenson 2011 p.xi) relationship with his own father is also brought into account. The fact there are two very different father figures presented within Treasure Island interprets the fluctuating relationship he had with his father several(prenominal) critics have seen Treasure Isl and and Jim Hawkins torturous relationship with Long John funds as an extended mediation of this (Hunt, P (in) Stevenson 2011 p.xi) yet Stevensons own essay My First Book, goes into detailed account of his fathers involvement in the mental hospital of the book in Treasure Island he recognised something kindred to his own imagination it was his kind of picturesque and he not only comprehend with delight the daily chapter, but set himself acting to collaborate.(Stevenson. R.L. p.56) If the complex relationship between Stevenson and his father is present in Stevensons portrayal of capital and Jim this shows us he regarded his father with a certain ambiguity and respect in the same way Jim is drawn to Silver with the desire for acknowledgement and thanksgiving.Whilst throughout Little Women numerous focalisations take place, Treasure Islands narration is completed by just two individuals. The relationship Livesy has with Jim is highlighted by his continued narration of the story when Jim is incapacitated in retrieving the Hispaniola. This not only allows us to hear the story from Livesys own focalised viewpoint, but it combines Jim and Dr Livesy as a duo. It also points to the future relationship of the two men as we note that the narrative is written after the event with the witness of retrospectivity (Loxley. D. p.60) hinting at a relationship continued once the adventure has ended.If Livesy is intended to represent the ideal father then Silver represents the opposite, being selfish and virtuously inept. Jim however, adjudicates the approval of Silver despite his suspicion and fear. When Silver addresses a laddie mutineer with the line youre young, you are, but youre as smart as paint. I see that when I set my eyes on you, and Ill talk to you like a man. (Stevenson, 2011 p. 61) A similar phrase is used to sway Jims affections earlier in the story and Jim is quickly in love with jealousy. You may imagine how I felt when I heard this unutterable old rog ue addressing another in the very same words of flattery as he had used to myself. I think, if I had been able, that I would have killed him through the barrel (Stevenson, 2011 p. 62) Jims alliances are swayed and subjected to overthrows of reason by the two feuding groups, he has the lure of the danger and adventure should he root to side with Silver yet the doctor is the ideal representative of moral decorum which Jim has aimed to exhibit so far. With this struggle taking place the power shifts between who has possession of the Hispaniola and who has possession of Jim.Power itself is involved in a thematic of circuitry and exchange, continually passing from one group or individual to another, never resting in or reaching a central position and dramatised in the motif of the ship which acts as a symbol of this unremitting process. (Loxley, 2009. p.62) He and Silver share an ability to infiltrate both sides of the disceptation men and become united to an extent that their duplic itous actions set them unconnected from the groups.(Loxley, 2009. p. 63) In Livesy, Jim has the imperial hero who represents the ideal nineteenth century father figure, Livesy has the expertise and respectability of the settle world in combination with the heroism and derring-do of the pirated.(Parkes, 2009 p.74) Yet an unknown intrigue presents itself through Silvers employment of Jims emotions, comments implying Jim is the picter of my own self when I was young affect Jims judgement of the pirate and an affiliation is clear. (Stevenson, 2011. p.146)Stevensons main mode of connecting with his chump audience was the exclusion of women from the majority of the story, Jims mother signifies his slightly unreserved nature at the start of the novel yet her absence allows him to grow and turn up towards being considered a man. In the same way Alcotts Little Women are mainly alone with their mother for the first chapters, allowing the reviewer an insight into the world of the girls, without an overbearing masculine character to interrupt this process. by means of this exclusion of opposite sexes, both authors lay out the foundations to appeal to sexual practice specific demographics.Treasure Island is primarily a fantasy peppered with elements of realism, these aspects of realism are what keep the story engaging to young boys, only through our likeness between Jim and his father figures can we ascertain any sense of progress in Jims story. Through contrasting Jim to Silver or Livesy we find they are in place to aid and guide his transition through adolescence and this rite of passage adventure. In comparison Little Women is a novel steeped in realism and the relevance of the father figures highlights nineteenth century baseball clubs attitudes to women more so than their attitudes to men, the secret of Alcotts success is through Jos unfeminine qualities, by noticing the market of tomboyish girls striving to outstrip their natural indiscipline to find a pla ce in society and a husband without compromising their own personalities.(Watson, 2009 p.15)Alcott recognised the difficulties children faced when overture adolescence and the reluctance to conform to a desired demeanour. Though Mr March isnt present throughout most of the novel, his presence in the girls minds is much like that of a deity, in keeping faith that they shall please their father they seek his approval by performing moral acts of kindness and behaving like little women. When they are rewarded by his return, the masculine focus of the story is shifted to the prospective husbands and their try for approval begins once more.The theme of both novels is one of growing up, without the inclusion of a father figure to guide or to offer approval the element of childhood is lost along with the target audience. The depictions of fatherhood within the two novels are relevant because the novels are aimed at children. Regardless of the moral conduct or characterisation of these rep resentations they are included to highlight a childs need for adult authoritarianism without this a child has no model for their behaviours or guardian to guide them to the next chapter of adulthood, and congruous parents themselves.BibliographyAlcott, L.M. (1998) Little women, Oxford, Oxford Paperbacks.Fetterley, J. (2009) Little Women Alcotts Civil War Childrens books important texts and contemporary trends, Milton Keynes, In association with the light University.Hunt, P. (in) Stevenson, R.L. (2011) incoming Treasure Island, Oxford, Oxford University Press.Loxley, D. (2009) Slaves to Adventure The Pure Story of Treasure Island Childrens literary works classic texts and contemporary trends, Milton Keynes, In association with the Open University.Parkes, C. (2009) Treasure Island and the Romance of the British Civil Service Childrens literature classic texts and contemporary trends, Milton Keynes, In association with the Open University.Stevenson, R.L. (2009) My First Book Trea sure Island ChildrensLiterature classic texts and contemporary trends, Milton Keynes, In association with the Open University.Stevenson, R.L. (2011) Treasure Island, Oxford, Oxford University Press.Watson, N.J. (2009) Introduction Childrens Literature classic texts and contemporary trends Online, Milton Keynes, In association with the Open University